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Standing Bodhisattva - C150 University of Pennsylvania Museum |
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Standing Bodhisattva - C150
University of Pennsylvania Museum
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| Scanned On: |
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| Added On: |
2005-10-26 |
| Vertex Count: |
8,226,991 |
| Stage: |
5 - Done |
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| Status: |
Done |
| Last Modified: |
2009-09-10 |
| Modified By: |
Lec, Khi |
| Misc: |
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| File Source: |
pass_one_holefilled.xdl |
Comments:
model1.xdl - all shells stitched - 8d4247f3b81cb14b35bb9a062853ae98 - 02/04/2007
model2a.xdl - basic cleanup, global registration 1:4 - 709d205e98f8155d75bec446a542c8bb - 02/04/2007
pass_one_merged.xdl - 2d5c6fe644ead57dd684fdf0abdb9704 - 09/30/2008
there is a hole at the model's shin (area not scanned, thus no shells to cover it)
Coordinate System (x,y,z)
Transform by input file: pass_one_holefilled.xdl
Rotate: (161.8233,46.3372,178.9711) deg
Translate: (747.9901,235.9781,-1227.4557) mm
Holes under arms, under ears, under feet base, misc places. Could not scan the object regions.
Bounding box size (x,y,z): (574.0494,1878.4419,404.8801) mm
Approximate size (x,y,z): (57.5,188,40.5) cm
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Height: 193 cm. (76 inches)
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Width: -
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Depth: -
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Weight:
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University of Pennsylvania Museum of Art, C. 150
Published:
Burlington Magazine, v. 25 (1914), p. 40 and pl. 1A.
Siren 1925, pl. 471;
Bachhofer, Ostasiatische zeitshcrift, v. 14 (1926), ?
Getz, no. 8, p. 176;
Jayne 1941, fig. 18 left.
Dietrich Seckel, Buddhistische Kunst Ostasiens (Stuttgart: W. Kohlhammer, 1957), fig. 51.
Zhang and Sun 2004, 205, fig. 42.
The over life-sized figure has a sturdy physical presence with thick shoulders and arms. The oval face is full at the jaw. The figure is dressed in a long skirt, trailing scarves, and heavy strands of jewelry around the neck that drape across the front of the body and down the sides the legs. The figure was probably made as a pair with the Guanyin C113 in the same museum and is believed to be Da Shizhi or Mahasthamaprapta bodhisattva, who is usually shown with Guanyin or Avalokitesvara in attendance on the Buddha Amitabha.
As a group with the pratyedabuddha, they are said to be "remarkable for their well-developed three dimenional plastic shapes, their decorative beauty, and the refinement of their linear mantle-folds. They may be said to mark the very culmination of religious statuary during this period of intense sculptural production. . ." Siren 1959, 102.
Purchased from C.T. Loo (in partnership with Vignier) in 1916
(Selected for FSG exh)
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| Photogrammetry (Photo based 3D) |
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Entire Collection
